Greetings!
Before I get to this week's offerings, I want to share a very interesting comment I received regarding the last post, specifically, the tape of an adult man interviewing six-year-old Joe Hogan. An anonymous reader listener wrote:
The man interviewing him seams to be in another room. I think this may have been some sort of studio. The clicking you here is the talkback going on and off. Back then, you had to hold down the button to talk, then release. He kept releasing it to soon. This seams like some sort of low budget production deal I think. I think Joe is listening through a monitor (the room sound when they talk) its not a direct mic feed or anything. I don't think they were related, I think he was just trying to make Joe feel comfortable. Maybe some sort of news thing for the school? Also, if you listening very carefully when he asks Joe, "Can you write?" He accidentally releases the talkback in the middle of his sentence, and you can briefly hear Joe's mic pick him up from the control room
Makes sense to me! Thanks!
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I have received a handful of requests for a further portion of my collection of Jack Eigen broadcasts. And this requires a bit of explanation. First, for those who haven't heard any of the other offerings in this series, my write up on Mr. Eigen can be found in this post. Suffice to say that, for the better part of twenty years, Jack Eigen was an irritant on the late night Chicago radio dial, but one that plenty of people could barely do without. As my mother once told me (and as is mentioned in that earlier post), his irritating manner was, in her view, essentially what drew people into listening to his shows.
For those of you who have downloaded my previous Eigen offerings, I will share (as I mentioned in my last post) that I actually cheated you out of additional Eigen material when I posted what I identified as "Volume Five", last May. You see, that offering was actually the exact same tape as the one I had posted as "Volume Four", over a year ago.
So here is the reel "Volume Five", which I will label as "Volume 5" so that your folder won't get confused and tell you that there is already a file by named "Volume Five". This is by far the longest one yet, I think. It is over four and a half hours long. Enjoy!
Download: Jack Eigen - The Jack Eigen Show, Volume 5
Play:
I seem to have left on about ten seconds' silence at the beginning of this file, by accident. So don't be surprised at a bit of silence at first...
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Next up, here is someone named Bob Terry, enjoying his 50th birthday party in 1980. Someone - presumably the birthday boy, plays a lot of piano, including a few parody numbers which presumably were his own creations, and none of them terribly clever. For the last several minutes, the pianist/birthday boy and his guests try to work out a happy birthday dirge based on a familiar melody, although it seems to be a struggle to perfect what they're trying to do. That section goes on, and on, and on, and on.
Download: The Bob Terry 50th Birthday Party
Play:
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The next three rather esoteric items all come from the same tape, and all were recorded in 1962 off of television. I am presenting them here in the order they appear on the tape, even though the second one is dated before the first one (presumably, the first segment erased something previously recorded even earlier, on that section of the tape). I cannot locate this tape to show you a scan of the writing on the box (I may have sold it along with a bunch of other tapes, some time ago), but the information on dates was from the box.
First up is a short segment in which two jazz performers, pianist/singer Rose Murphy and bassist Slam Stewart, promote a local appearance in Albany on WRGB, a pioneering television station in Schenectady, New York. I learn from
Wikipedia that WRGB was one of the world's first TV stations, way back in 1928 (!) and the fourth commercial station to sign on, in 1942. However, it was also the station that launched the career of Rachael Ray, and that is simply unforgivable. May you rot in hell for what you've done, WRGB.
Anyway, I was certainly familiar with Slam Stewart and his sing-along bass playing, but had not encountered Rose Murphy before. Her piano playing is fine. But her singing... Oh my God, she was GODAWFUL! I have a hard time believing her performance style wasn't some sort of elaborate dry joke, designed to see how many pretentious jazz-hounds she could make rave over an absurd, terrible and mannered singing. Your mileage may vary.
After a pre-recorded track featuring both performers singing and playing, there is a great instrumental featuring Stewart and then a song featuring Murphy, before just a taste of Murphy's signature song and a fade out.
Download:
Rose Murphy and Slam Stewart - WRGB - 6-7-62Play:
Next on the tape is
John Ciardi, giving a lovely presentation - along with the legendary
Alan Lomax, on
The Sea Islands, This was part of a short lived CBS-TV series called "Accent on an American Summer", and this episode focused on the music of these islands, dating from the slave era and later created by the descendants of slaves.
Alan Lomax should need no introduction (if for nothing else but helping to mentor Pete Seeger and first bringing him to prominence, but of course, so much more), but John Ciardi? I'm sure he's largely forgotten, if indeed he was ever well known outside of literary and poetry circles. But he was well known and beloved in the home in which I grew up, due to his having written two of our favorite books, books of poetry for children. He actually wrote well over a dozen books of poems for children, it seems. We owned "I Met a Man" and "The Man Who Sang the Sillies", and there were few books in our home that I loved more, for both the wonderful nonsense of his rhymes (which I'm sure had a deep influence on my own lyric-writing and general sense of humor), and for the marvelous illustrations by Edward Gorey. I found the following image from my favorite of his poems, which had my favorite of the illustrations, as well:
Anyway, I was delighted to find this tape, as I had no idea he had done anything else but write those two lovely books.
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Then the tape ends with a recording of a program in which Igor Stravinsky conducts one of his own compositions, "The Flood", and which is followed by a documentary about Stravinsky. This is a much longer segment - almost 50 minutes - and it is also from 1962:
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I feel like I've done sort of a lot of typing so far, and will be below, as well, so I'm gonna scale it back for this one. This next piece of tape is "called Aunt Edith and Uncle Carl Come to Visit, 7-27-60", and I think that just about describes it.
Play:
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Now it's time for our "Acetate of the Month". Most of the time, these are 78 RPM acetates, and last from three to seven minutes, total, for both sides. But acetates were also cut at 33 1/3 RPM, long before that speed was available commercially, and they were also cut at that speed, by private users, in the 1950's and well into the 1960's (and of course, by professional studios, long after that). And those 33 1/3 acetates could, of course, be far longer than their 78-era brethren. Today's offering is 26 minutes long, and the disc itself looks like this:
Much of the information you need to know what you're going to hear is right there in that picture. The rest is in the first moments of the sound file. The discussion is between high school students. The school Evanston Township High School (I was able to find a reference to the teacher named on the label having worked there), and the other student, discussing Steinbeck with Dick Mills, is Bill Brower.
This is, as I'm sure you're imagining, scintillating stuff.
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Here's a photo of the second side of the acetate:
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Finally, a "Very Short Reel". This is a bit of propaganda - and I don't mean that negatively - from the AFL-CIO. This sounds very much like it was the soundtrack to a short film, and the closing statements further make it sound as if this was one of a series of short films, presumably all from the AFL-CIO, which perhaps were paid for and ran on television stations in five minute timeslots.
I should explain that I made some of the files that I am sharing today, and in the recent past, and no doubt in the future, as long as six or seven years ago. I have a large collection of "not yet used" items, and this one was digitized at least four years ago. All that is to explain why I can no longer find this tape's box, either (although it's unlikely I sold this one). But the name of the file is almost certainly what was written on the box.
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