Showing posts with label WRBR. Show all posts
Showing posts with label WRBR. Show all posts

Saturday, November 15, 2025

Being a Woman Through the Years, Late '70's Top 40, "The Children's Hour, Some Woozy Sound, Joerg Rothweiler's Greatest Hits and Dick Clark Gets It Wrong

I have a handful of comments to catch up with from the last few months. I got a few thanks for the beautiful music posting - you're quite welcome! Please pay attention, everyone, I really do try to honor requests. And regarding my observation in that post, that a Beautiful Music station I sampled seemed to have no actual commercials in an hour of broadcasting, Chad offered up the possibility of the tape having been edited, but then also added this interesting observation:

I also think most beautiful music on FM stations in the 1950s through 1970s never made much money in terms of advertising. The technology was new and took decades to reach full acceptance and availability especially in cars which were still being sent from the factory equipped with AM-only radios well into the 1980s. I suspect that most were holding a spot on the FM dial until the technology matured, which seemingly took 25 to 30 years from its introduction post WWII! Since AM-FM simulcasting was prohibited at the time, it made sense to put orchestral music on the FM dial for the mature hi-fi audience and left the pop music formats for the transistor radio set.

Eric wrote in to let me know that the WFMU blog, which is where this feature got its start, and which I've linked to own my home page and within many posts, has been taken down, as the host site has gone out of business. Posts are available at the Wayback Machine, but whether the downloads will work from there is a different story. If there's anything at that site that I posted that you'd like to have a copy of, let me know and I'll include it here. 

"Snoopy" and Eric (maybe the same Eric as above, I'm not sure), offered up thoughts on the Kingsport Radio tape, as well as the Death of Eisenhower programming included in this post. I'm going to combine their comments into one comment here. I hope that's okay: 

The Kingsport station is WKPT which as the newscasts show was an NBC affiliate in this era (it switched to ABC affiliation in the 70s). The morning program host we hear after the initial newscast is Charlie Deming who was known as the "Gloom Chaser". He started at WKPT in 1945 and was with them continuously until his death in 1974. If you can get past the first 5 minutes of church choir music on the Kingsport TN radio tape, there's quite a bit of interesting news and commercials from Friday, March 6, 1964; at 27:45 a comedy bit by prolific voice actor Paul Frees. 36:16 changes into something, not the radio broadcast - some comedic theatre, I can't tell what. Really interesting lost media. The NBC specials on President Eisenhower's death are clearly TV audio recordings from March 28, 1969. First, coverage after the news broke and then an 11:30 PM special. Edwin Newman anchors both of them.

Regarding the damaged player piano rolls, from a post one month ago, I wanted to make sure I linked everyone to this insane music that reader/listener Kit linked me to. I absolutely encourage everyone to read about and listen to what was shared in the following comment. 

Gosh, what a spectacular ending to the player piano piece and to your October postings. As if Conlon Noncarrow had a commoner sense of humor.

Finally, I'd like to deeply thank the anonymous writer who confirmed for me that Vaughn Monroe was an exceptionally bad singer. I like your term, "Baritone Sludge". 

And now, on with the countdown!

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I'm going to kick of this post's offerings with a remarkable tape of an episode of "The Columbia School of the Air". In a quick web search, I have found scattered references to this CBS radio show, but nothing in detail. One magazine article from 1946 indicates the show was in its 13th year at that time. 

This episode, as the dialogue makes clear, is from 1948, and this program was transcribed - that is, it went out to stations on a disc, perhaps an acetate. This tape is a recording of that disc - the tape itself is not from 1948, otherwise it would have, by definition, been on a paper reel, but from some time at least a bit later. It came to me in a metal can with the following written on the edge:


This is a radio drama, portraying woman seeking civil and other rights from 1848 to 1948. What I find remarkable about this program is that 1948 was hardly a good time for progressive thought and action, and this program is nothing if not progressive in many ways, not the least of which is in its matter-of-fact portrayal of a Black woman, Sojourner Truth, as simply another participant in the search for equal rights, and an equal to the other women in the room during that scene. But there are several other elements to this programming that pleasantly surprised me, as well. 

Download: The Columbia School of the Air - Being a Woman - Circa 1948

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(This is, by the way, the second tape I've featured from a large stack of metal-canned tapes with that writing on the side. I'm trying to recall what the first one was - something about school, I think - but it's fuzzy, and I'm pretty sure it was not from "The Columbia School of the Air". If I figure it out, I'll update in a future post.)

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I have a lot less to say about the next tape. This is for all of you - and that includes me - who enjoy recordings of any era of Top 40 radio. This nearly 90 minute example is from WRBR in South Bend Indiana, from the early fall of 1979. It's got many of the hits you might imagine from that time period, plus a goodly number of oldies. 

Download: WRBR, Top 40 Radio, 9-16-79

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"The Children's Hour" was a radio program sponsored by Horn and Hardart (the pioneer company in terms of fast food) which ran on radio for more than 20 years, before starting up on TV for at least a few years, in 1948. The Wikipedia page for the program indicates it was only seen in Philadelphia and New York City, and it lasted until 1959. As with "The Columbia School of the Air", I've been unable to find out much of anything else about the show. The show featured juvenile performers, some of whom went on to stardom and/or long careers, in a variety of skits and plays.

What I have here is a tape of just under an hour, containing segments, some short, and some long, from this show. The recording is frustratingly haphazard - songs are cut off, scenes are excerpted without relevance to the larger plot, and one of the lengthier segments seems to be building towards.... something... when the recording is stopped and picked up at a later point, possibly even a later episode. But still, I found it a fascinating listen. 

Then there is this, from the Wikipedia page: "Fred Rogers worked as a stage manager on the show, which he later described as 'terrible' for forcing children to perform."

(Note: I have included a few moments of a performance of "My Funny Valentine" which leads off this tape, just prior to the "Children's Hour" recordings.)

Download: Segments of Episodes of "The Children's Hour"

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Okay, the following my be the very opposite of appealing to the broadest audience possible. Call it "Narrowcasting". I know I have at least one reader/listener (the aforementioned "Snoopy" who loves anything I share that has a woozy or deeply imperfect sound quality to it. And so perhaps I have targeting this solely at one person, but I hope others will find something to enjoy here, too. 

Anyway, every now and then I come across a tape where one set of recordings didn't completely erase a previous set of recordings, so that two completely different things are heard, often at roughly the same volume, at the same time. In this case, we have some classical music which is recorded on the same piece of tape which also contains a variety of spoken word segments from radio station KFAB in Omaha. This 30 minute slice of sound is not precisely what is heard on the tape - I have edited out segments from what was a longer tape, during which the sound of two recordings is not present. That helps explain the difference between this segment and the one just below it. 

Download: Doubly Recorded Segments

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On the flip side of this tape, I found that one spoken word segment - partially heard in the first half of the above recording - was heard backwards, without the classical music interfering. I have turned that segment around and present it here. This segment was preceded and followed by more classical music, which I have removed, leaving the following twelve minutes. There are a few announcements and some commercials and such, but most of this segment features an interview with operatic soprano Helen Traubel, and, as mentioned, much of this interview can be made out amongst the double recordings in the previous segment. 

Download: More from the Tape with the Doubly Recorded Segments - Interview, Etc. - KFAB, Omaha

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And now it's time for our "Acetate of the Month", which looks like this: 


I don't know anything about this besides what you can see above. It features a combo, presumably led by Joerg Rothweiler - perhaps they are the Black Derby's or perhaps they worked at a place called The Black Derby's (either way, that apostrophe seems misplaced, and possibly Derbies would be a better spelling). There are performances of three disparate songs, all done Dixieland style. Maybe someone else knows more about this record and can shine some light on its provenance. 

Download: Midwestern Recording Studios, Inc 10 inch Acetate - Joerg Rothweiler - Won't You Come Home, Bill Bailey, Battle Hymn of the Republic, The Dark Town Strutter's Ball

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And now for a "Very Short Reel". In a few recent posts, I have shared tapes from a relatively new acquisition - a box of tapes of commercials, some of which (including all that I have shared so far) from the Needham Harper Steers company. In this case, we have four ads for the same group of products that I featured in the first Needham set I shared, Mueller's Pasta.

Download: Needham Harper Steers - Four Mueller's Pasta Ads

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And now, for a little something extra. This is the mint on your pillow, the free handful of candies at the cashier's stand, the flowers from the audience after a great performance. It's only "Waffer Thin". It's not really a "Very Short Reel", even though it is extremely brief, as its source is a tape lasting well over an hour.

It's just a moment in time from an episode of a syndicated weekly Dick Clark oldies program, containing a factual error so blindingly wrong and idiotic I'm amazed no one picked up on it before it got out onto the program. You'll hear Dick Clark, being smarmy and know-it-all-y and talking down to his audience as usual, reading his copy and clearly not even noticing that he's just said something astonishingly stupid. That he makes this particularly error (and level of error) while simultaneously regaling the audience about all the names that they should know, but don't, well, that's just icing on the cake.

Download: Dick Clark Fact Check

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Saturday, January 25, 2025

Two Sets of Radio Commercials, A Demonstration in Mono, A Couple of Guitarists, and a Whole Lotta Union Carbide Phone Calls

 Happy New Year, everyone, 

I'm going to start off with a version of what I wrote on my other blog a week or so ago: 

It's been more than three weeks since I've posted, and I suspect that there will be only this one post this month. I'm absolutely Captain ADHD, and thrive on keeping ridiculously busy - I'm pretty nuts when I don't have too much to do - but this last month has just swept my legs out from under me, with a couple of brief but intense illnesses, end of the year madness and work demands. I hope and intend to be back to two posts a month in February. 

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Before I get to this post's features, I want to make reference to a few comments. But first, I want to acknowledge and just generally thank those of you who have written recently with supportive, thankful and/or appreciative comments about the site in general. Those are all deeply appreciated and give me the encouragement to keep up what I do here. Thank you.  

Some specific comments that you may have missed and which shed light on things I've posted. Regarding this post, someone wrote in: 

Re: WEAM. Based on the references to a back-to-school contest and a daytime high of 84, it would appear to be from late August 1963. Specifically the week of August 23, based on the song positions on this survey matching.

http://las-solanas.com/arsa/survey.php?sv=143773

Regarding what is currently my most recent past post, "Snoopy" made the following observation, one which is very similar to something I almost wrote myself, regarding "oldies": 

Back then, 15 year old music was considered Oldies. Maybe I'm just curmudgeonly but if you played 10 songs from 2009 and 10 songs from 2024, I wouldn't be able to tell one from another. 

I would also like to refer you to this post, about which (in the comments) Eric Paddon has added a great deal of information, specifically about the WOR segment, including the specific dates of those recordings. There is too much text to copy and paste here without bogging things down, but it's very much worth reading. Thanks, as always, Eric. 

There have been a lot more, and I am quoting here (and below) from comments that are as much as six months old. That's how far behind I've gotten. I'm gonna try to be more up-to-date, going forward. 

Anyway, and finally, two frequent commenters, each of whom has his own collection of rare recordings, posted about new "old" finds that each of them has shared. 

Kyle writes: I have found a Christmas home recording from the 1950s

And "OldRadios" has uploaded a radio "Laugh-in" type show called "Funny Birds" to his site at archive.org

In the case of both Kyle and OldRadios, clicking on their names will show you further postings, including more old audio. 

Thanks, guys! 

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Okay, I'm going to start with two fairly wonderful (well, with a significant exception) advertising demo reels. The first one is from Chuck Blore and Don Richman Incorporated, a company headed by two men who seem to be considered legendary in the radio advertising field - look each of them up online. 

This tape has fifteen ads, the last of which is that "significant exception" to the wonderfulness that I just mentioned. That last one is more like a hard slap upside the head. Here's the tape box: 

Download: Chuck Blore and Don Richman Incorporated - Advertising Demo Reel

Play:

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The second advertising reel - almost exactly the same length as the first - comes from Don Piestrup, who you can also find online but who does not appear to have been nearly the "name" talent that the above two gentlemen were, although there still exists a Big Band which plays his music. 

This tape features 13 ads, and the box also helpfully guides us in what we're going to hear here: 

Download: Don Piestrup - Advertising Demo Reel

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Here's the rather esoteric front cover of the tape box: 


And the side: 

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Here's something a little different. I have shared several Stereo Demonstration tapes here - in the early days of stereo sound - which debuted on reel tape nearly two years before it became a reality on records - tape recorder companies produced demonstration reels to show off their wondrous machines and the spacious sounds they could produce. 

But before that, tape recorder manufactures also wanted to demonstrate the wonders of reel tape. And so there are some (although apparently not as many) monaural demonstration tapes out there. And this is one of them. It's from the Omegatape company. Side one of the tape provides excerpts from some of the pre-recorded tapes the company currently was offering. 

But then, on side two, there is a series of test tones to be used in some way for head alignment, then a timing test to see if your machine is running at exactly the right speed. (Either this recording was itself flawed or my machine runs slightly fast - which I don't think is the case - as the blips go by in about 58 1/2 seconds.) Highlights from more Omegatape offerings finish off the reel. 

Download: Omegatape Monaural Demonstration and Test Tape

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Here is a booklet which came with the tape: 


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Here is about 21 minutes of what I've called "A Couple of Guitarists Fooling Around and Duetting". See if you don't think that title is accurate. And sufficient as an introduction.

Download: A Couple of Guitarists Fooling Around and Duetting

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Robert W. Morgan was a hugely popular radio dj and personality from the late 1960's until shortly before his death in 1998. For a while in the late 1970's, he produced a syndicated program titled "Special of the Week". How the word "Special" was defined in terms of a program which apparently ran in a regular timeslot once a week is a mystery to me, but anyway, I came across a tape containing more than half of his episode about the band Chicago, and I thought I'd share it here. 

For all of his talk about the band's Jazz-Rock roots and status, Morgan plays precious little here of the Chicago material which falls within that genre. Perhaps it was featured in the earlier part of the program, which isn't captured here. But then again, that would have been the point at which to mention it, not while largely playing tripe such as "Saturday in the Park" and "Just You 'N Me". 

This particular broadcast was aired on WRBR, South Bend, IN, during a fundraising event for St. Jude's Hospital for Children, and there are a few cutaways for information about that event, during the broadcast. 

Download: Robert W Morgan's Special of the Week, Featuring Chicago - 11-16-80 - WRBR, South Bend, IN

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Okay, here is a tape most of you might skip over entirely but others may find weirdly fascinating. It comes from a 10 inch reel, one which only had a small amount of tape on it. But that small amount of tape contained over 100 minutes of recordings, because it was recorded at the rarely encountered speed of 15/16th of an inch per second. 

You know when you see those movies or videos in which a reel to reel machine is barely moving in the background, presumably recording the goings-on in that location? Well, those may be going at 15/16ths or even slower. And that's what we have here. 

These are calls made by and received by a couple of men who were manning the phone at some sort of business hub for Union Carbide. As someone mentions well into the recording, the company had recently installed a recording system which engaged every time the phone was picked up, whether it was for call out or a call in. 

And so, we have all manner of calls into and from the field, as well as, at one point, a call to the wife of one of the men manning the phone, as well as a few other contacts. I won't pretend to have ANY idea what it is that is being discussed - a lot of numbers, percentages, levels and such are thrown about, and a good number of people are attempted to be reached, or call back, or whatever. 

It can be sort of mesmerizing. I did not listen to this all in one sitting, and can't imagine doing so, but the entire recording is fascinating in its own way, a slice of life from an extremely specific time and place, and an unusual glimpse of some people doing some very specific jobs, the likes of which most of us know nothing about. 

(By the way, the first few calls are VERY soft, but the volume increases substantially, to a normal listening level, just after the one minute point. There are a few soft moments later in the recording, as well)

Download: Union Carbide Phone Calls

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And finally, the "Very Short Reel" for this post. This three minute segment comes from a tape wherein the rest of the recordings were exceptionally poorly recorded radio broadcasts, and I mean exceptionally poor to the point of being unlistenable (and I'll listen to just about anything on a tape) and unintelligible. 

I've called this "A Short Conversation At Home", and in it, a man records (and talks to) what sounds like a considerably older woman. Extremely innocuous conversations follow (well, except for one statement about a girl who is prettier than Gail). Then, after the machine is stopped and re-started, she is told not to whine, and then talks about what a nice voice she's been told she has, except that "it sure don't sound like it on that". My assumption is that she had just listened to the previous segment. My assumption is that she'd never heard her own voice recorded, prior to that moment. 

Unknown: A Short Conversation At Home

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