All About the Grand Canyon, The NWB Show (Whatever That Was), A Life Insurance Speech (OOO, Pinch Me!), A Singer Rehearses, A Couple Celebrates and More

I have a bunch of comments, observations and insights that have been received recently, that I planned to start off this post with, but I've been working on this one for five days and want to get it posted. But I thank everyone who has written in, and I will get to them next time. 

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Let's start with a reel made, presumably, by a teacher. It sounds like she was in the Phoenix area, and she opens the tape by explaining why she wants to show local students a film about The Grand Canyon - some of them have never seen it and may not even know much about it. There follows her narration for the film, accompanied by a musical score. This being audio only, we can't see it, of course. I hope all readers out there have had a chance to see it. 

Download: Grand Canyon Film Introduction and Narration

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And here, for your dining and dancing pleasure, are the some folks, also in Phoenix, heard on the tape for ten minutes after the Grand Canyon narration, sitting around and chatting about all manner of things. Conversations about a few government programs and issues, including Head Start, as well as a mention of the Arizona Veterans Memorial Coliseum, pretty effectively date this to the mid 1960's, and no earlier than late 1965. 

Download: Conversation In Arizona Circa Mid 1960's (After the Grand Canyon Film Narration)

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This next tape comes in a box that looks like this: 

And that is all I know about it. This is a neat little tape. It contains a series of relatively short songs, sung by a few men and a few women, accompanied by piano, each track "banded", that is, separated by white leader tape. This is pretty clearly a recording of songs from some sort of performance, but this is not the performance - this is probably a demo or a studio rendition of the show. There are also a few very short tracks - sound effects here, a commercial there. There are a few rough places in the tape, where he jams a bit and/or where there are splices which cut out a moment of sound. I have no idea what this is. Anyone out there have any idea? 

Download: Dub of NWB Show, 10-20-59 - For Club Page (Final Tape)

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Perhaps you would prefer, though, to listen to a 28 minute speech from roughly 53 years ago, given by Tony Cortellessa, to the Franklin Life Insurance Company. If so, BOY ARE YOU IN LUCK!!!:

Download: Tony Cortellessa Speaks to the Franklin Life Insurance Company, 9-11-72

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Here is someone named Eve - I think so, anyway, doing a variety of stage-musical-type songs, including some from the show "Oliver!". The tape box is written on sort of haphazardly. I don't know if that says "Eve Many Songs" or "Eve <her last name> Songs. I think it's "many".

What do you think? And let me know if you want to hear more of people rehearsing songs (or less, for that matter). I have quite a few.

Download: Eve Practices Several Songs with Piano - January 30

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This next one is labeled like this: 

That's a mouthful, and rather than offering comments, I'll let you experience its charms, whatever you find (or don't find) them to be. One warning - after a really quiet section, the tape suddenly gets REALLY LOUD at 21:15. Be prepared. 

Download: Johnson-Mort Wedding Anniversaries, November 5, 1960, at the Miller Home

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And now it's time for our "Acetate of the Month". In this month's episode, Joan records a song ("Always in My Heart") for her absent husband Edward (with Gladys on piano) and then talks to him about how much he is missed. Someone named Jean then sends her love to Tom (who was apparently with Edward). Nothing was written on this acetate so I can't really tell you anything more about it. 

Download: Black and Silver Metal Acetate - Joan Sings a Song for Her Husband and Talks

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Today's "Very Short Reel" is actually another excerpt, which is a cheat, but I really wanted to share this segment. 

First, a little story. When I was little, we had a miniature player piano thingee. I don't quite remember how big it was, or what happened to it, but it had genuine (little) player piano rolls and they really did make it play the way a full sized one does - it was almost more like a music box, due to its size. 

In case you don't know how player piano rolls work, they have spots on the sheet of paper which correspond to all 88 keys on the piano, and there is a hole punched for every note that is to be played. I believe they were made by someone actually playing the piano attached to a machine that would poke the holes, and then additional holes would often be made to add embellishments. There are piano rolls "cut" by Scott Joplin which contain embellishments that render performances that no single pianist could actually ever play. 

As you might imagine, tearing extra holes in the piano roll results in extra notes being played. And, in fact, one of our little piano rolls developed a large tear near the center but off to one side a bit, right near the start of the piece. When you fed that one into the machine, it played the first five seconds or so of the piece, then about 20 keys all slammed their tones, not quite together, but roughly the way you might think a piano falling over might sound. It was quite humorous. 

So anyway.... I found a tape someone made in 1953, capturing a series of player piano rolls fed through their player piano, interspersed with what were, even then, ancient 78 RPM releases. And two of the piano rolls clearly had the same issue as the one we owned. 

What you'll hear here is the woman who introduces all of the rolls and 78's on the tape, introducing the next piano roll, and then the entire roll - well most of it: it would appear that the end of it was damaged and then, most likely, torn off completely before the piece ends. You can hear the woman giggle a little as the odd sounds retreat. I laughed out loud. There is just something devastatingly hilarious about the way it shudders to a stop after such musical eloquence, to that point, as if an actual pianist had been playing and suddenly dropped dead, mid phrase. 

A man then speaks briefly about the wonderful weather they are having - exactly 72 years ago tomorrow, as I post this (wow). Then the woman introduces another piano roll, and THAT one is damaged a few seconds into the song, then is fine from that point on. This second one sounds just like the piano roll we had, with a moment of good music, a few moments of complete mayhem, and then the rest of it is normal again. I've faded it after the goofy part. I hope this makes you laugh as much as it does me. Every... single... time. 

Download: Short Excerpt from a Tape of Piano Roll (with comments on the Weather) - 10-18-53

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WJJD: The Music of the Stars, Can You Hear My Heartbeat, Some Private Humor and a Bit of Stroh's

For the second post in a row, I'm sharing the contents of only a small group of tapes, but as with the last post, those contents are quite lengthy - nearly five hours in total. This was not by design - it just so happens that some of the more interesting tapes I've grabbed recently had really long segments on them, which I thought would hold some appeal. Based on what I've been listening to this week, the next post may very well be the same again. 

The lions share of this post's content comes from a ten inch reel of tape which was recorded at the ultra slow speed of 1 7/8 Inches Per Second. Even with the recording being only on one side, which it was, that still worked out to just under 4 1/2 hours of recording. 

And every moment of those four hours plus turned out to be recordings of the Chicago radio station WJJD, during its "Music of the Stars" format. Specifically, these recordings were made on the last two days of March, 1985. I know this is not quite the "Beautiful Music" format that some of my reader-listeners crave, but I hope it's close enough to make these recordings worthwhile. One benefit here is that these recordings go straight through, without edit, and therefore contain all the commercials and all of the newscasts that were broadcast during those timeframes. 

WJJD existed with those call letters for nearly 75 years. It was the first rock and roll station in Chicago, flipping to Top 40 four years before the eventual winner in the format, WLS. After a few more format changes, they had settled on the "Music of the Stars" format. For most of its existence, the station could only broadcast during daylight hours, but this changed in 1982. However, as soon as sundown hit, the station's output wattage was dropped precipitously, to avoid conflict with a larger station at the same frequency, out west. As you will hear at the end of the first segment featured here, the sound quality as evening approached took a sudden and decisive turn for the worse, and after about a minute of that, the recording stopped, and picked up again the next day, with the second segment below.

I knew a lot of this stuff already, having grown up in the Chicago area, but if you want the information in a more thorough fashion, the Wikipedia page for the current station at that frequency has it. 

"The Music of the Stars" presented a sort of interesting mélange of performers, everything from Big Band stars to Perry Como to The Chordettes, to Dionne Warwick and Petula Clark. All of it certainly Middle of the Road from today's perspective, but by the same token, not all of it enjoyed by the same audiences during each of those performers' heydays. My guess is, for example, that in 1967, people listening to Harry James were not also listening to Petula Clark. But maybe I'm wrong. 

The first, and longer segment features Gene Janson, with whom I am unfamiliar. The other segment features Bernie Allen, who I fondly remember from my childhood as one of the key voices at WLS, AM 890. 

Download: WJJD, 'The Music of the Stars' With Gene Janson, 3-30-85

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Download: WJJD, 'The Music of the Stars' With Bernie Allen, 3-31-85

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Switching gears pretty forcefully and hoping not to damage the transmission too severely, I will now ask a question: If you were one of the first owners of a brand new reel to reel machine at the dawn of the format, what would you record? On this page, I've posted organ music, radio recordings, light conversations, and even a mix tape (click on this link: "Paper Reels", and you will get a line up of all the posts that featured such early recordings, including this one).

Here is yet another very early recording. This is found on a tape manufactured by Soundmirror, a product of The Brush Development Company, and this particular brand (and this design) is said to be the first commercially available reel tape in America. So this recording probably dates from around 1947. Only a little over one-third of the reel is used (the initial machines could only record on one side of the tape), so this is likely the only recording ever made on this tape. 

And what did those present do? Well, they talked, a little, and that can be heard here. But for much of this tape, one man present - probably the owner of the machine - had his friends and/or family members put the microphone inside their clothing and recorded their heartbeats. Perhaps he was a doctor.....

Not the most scintillating thing I've ever shared, but it holds some fascination for me. You have this new toy, which cost A LOT of money - the blank tapes themselves each cost in the neighborhood of $50 or more in today's money, and your method of demonstrating it - and using that $50 worth of recordable material - is to let people hear their hearts beating. Hmm. 

Download: Very Early Recordings, Circa 1947 - Light Conversations and the Recording of Heart Beats

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And now it's time for our "Acetate of the Month". And this acetate is from just a short 83 years ago, and features recordings from some radio show that apparently ran on Tuesdays, as the recordings are from June 17th and June 24th of 1941. Both feature a sad-sack-in-the-army type comedian named Lynn Borden. Please know that I am not sure of the spelling of this comedian's name. It's spelled two different ways on the two sides of this acetate, and I've looked for him under Lynn, Lyn, Lin and Linn, to no avail. He seems to have disappeared into the ether. 

And that's no surprised because he is painfully unfunny. I have the feeling the audience reaction was being goosed, perhaps quite a bit, by recorded laughter: note the woman laughing herself into hysterics while the audience is still applauding and before he's said anything. What would cause that response from an actual audience member? 

Anyway, here are both sides of the acetate, capturing two of his appearances. I have a couple of other acetate recordings featuring this same guy, if anyone is interested. Just let me know!

Download: Presto Acetate - Private Lynn Borden - 6-17-41

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Download: Presto Acetate - Private Lynn Borden - 6-24-41

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And we'll close with yet another "Very Short Reel". Here's a vintage ad (not dated) for Stroh's beer, an ad titled "Craftsman" from the advertising firm of Doyle, Dane, Bernbach, Inc. 

Download: Doyle, Dane, Bernbach, Inc - Stroh's 'Craftsman' Ad

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