Monday, March 14, 2022

1953 Radio, Some Jingles, More from Japan, The Age of Jetomation, and Some Swiss Shortwave

Hello, 

This won't be news if you read my other blog, but... 

 Last time I posted, I mentioned being short of time, and that I'd be brief in my comments. Little did I know how much time I would have starting the very next afternoon. For it was the next day that I learned that due to COVID's effect on my agency's finances, my position was being eliminated, effective immediately. After 29 years with my agency, I am out of a job, and this is the first time in about 40 years that I've neither been employed or in school. Hopefully, it will be just a hiccup in time, but who knows. 

~~

Before I get to today's features, I wanted to share a link sent in by a reader. Back in January, one of my offerings was a "very short reel" featuring Judy Codlin's demo reel. Well, sadly, an anonymous poster recently sent a link to Judy's obituary. which is here. 

~~

Today, I have another typically varied set of recordings for you, which I hope you'll enjoy. And I'm starting with one from 1953, not because I think it's the most interesting, but because it allows me to continue a series I thought I'd completed, the Scotch Tape Box series. 

I do think this tape's contents are interesting enough, but I especially wanted to share this box, which is of a style I'd never seen before, and which I therefore overlooked in my series. At this point, Scotch was still differentiating between paper and plastic backing, meaning that this is probably style # 3, and from no later than 1951, as all styles from after that point did not specify the type of backing, since they had all been switched to plastic. Here it is: 


And what is on that five inch reel of tape, I hear you ask through the ether. Well, it's a recording that appears to date from 1953, a broadcast on station KROK, in Rockford, IL, of a classical concert, primarily featuring the Peer Gynt Suite, with narration, along with a short performance afterwards. Not the most scintillating thing to hear, but recordings from this period are very, very rare. Plus, at the end, there is some other material, including commercials and the start of a newscast. The mention of the war having ended would seem to place this near or in July of 1953. If nothing else, I encourage you to listen to the last few minutes captured here. 

Download: The Rockford Symphony Orchestra - Peer Gynt Suite and Programming After - WROK, Rockford, circa 1953

Play:

~~

Sticking with the radio theme, here are a whopping 30 Jingles from a station in Southern California which actually broadcasted its format from Catalina Island. The station was/is WBIG, which you can read about here. The sound quality is a bit dicey at the start, but gets better. 

Here are all of those jingles!

Download: KBIG - Radio Catalina - 30 Jingles

Play:

And here is the tape box: 


~~

Next up, it's yet another tape from our young man in Japan, circa late 1960's. I don't have a date on this one, but I know there are people out there who might be able to take some of the comments and narrow down the time frame. 

As with at least one of the other letters I've shared, our man (boy?) in Japan chose to play music in one channel while talking on the other. In this case, the music is actually louder than his letter in several places, playing up the questionable nature of this decision. 

Download: Another Audio Letter from a Student-Soldier in Japan

Play:

~~

And now, it's time for Horizons of Science. See?: 

And when I got this tape, a few decades ago, I was very pleased to hear that it was narrated by Lyle Dean. Lyle Dean's voice is familiar to generations of Chicago area radio listeners, as he worked in news and commercial production at multiple radio stations, for what must have been decades. 

This is a fun little diversion of a program. The things discussed here do not necessarily seem to have been the wave of the future that they are presented as being, at least not under the terms used here, but it's an interesting little program, regardless. 

Download: Lyle Dean - Horizons of Science - the Age of Jetomation

Play:

~~

Next up, a lengthy segment for those of you who enjoy vintage shortwave recordings. Most of those I've come across in my collection seem to be from the same collector, or a few people, anyway, and are recordings of Australian broadcasts. This one, however, from the spring of 1968, is a recording of broadcasts from Switzerland. The sound quality goes in and out here - it's never great, which is often the case with these shortwave recordings, but it's almost all listenable. 

Download: Swiss Shortwave, Spring, 1968

Play:

~~

And finally, here's our "Very Short Reel" for the week. It's a pair of ads for Kronenburgh Beer, from the late spring of 1980. Actually, to my ears, this is simply the same ad twice, but maybe there's a subtle difference that is escaping me, as I'm not sure why the same ad would be placed on the tape twice, back to back. Then again, the sticker on the box does say "Spot", while the handwriting indicates "2 cuts".  

Download: Lance and Enid - Two Kronenburgh Beer Ads - 6-5-80

Play:

And here's the very messy looking tape box: 




Monday, February 28, 2022

Happy Birthday, Sweet 16, The Ups and Downs of Radio Work, Some Live Music, and Other Wonders

Welcome back to my archives!!!

I have very little time this week, so I will be far less verbose than usual. 

First up is a tape I've owned, and loved, for decades. It comes from Lake Forest, IL, and features two different recordings from the 1957-58 school year of a bunch of girls who were, apparently, mostly High School Juniors that year. Nearly the entirety of both tapes is made up of the girls singing, which I enjoy mightily. 

Here is the relevant (i.e. the marked-up) part of the tape box: 

First up, with have Joan's 16th birthday party, wherein the girls sing a number of fight songs, including some lyrics to the Notre Dame song - about drinking - that I've never heard anywhere but on this tape. They also sing the songs of a couple of nearby high schools, including ones that no one in Lake Forest would have attended, which seems a little weird. Throw in some current pop songs, including the utterly wonderful "Just Between You and Me", originally by the Chordettes, and you have an irresistible little segment. 

Download: Joan's 16th Birthday Party, 9/19/57

Play:  

Immediately after this is what's listed as the "Junior Luncheon", which does feature, as the box indicates, an unfortunate hum. I've tried to minimize this hum, but have been unable to do so without also impacting the sound of the recording. Here, again, there is a bunch of singing, although it sure sounds to me as if they are wishing the Senior Class well as they leave the school - why that would be the subject of a Junior Luncheon I'm not sure. But I'm guessing - hence the date - that this happened later in the school year, probably the Spring of 1958. 

But the kicker for me here is that all the songs sung have new lyrics, each of them about a specific girl to whom they are singing. I just think this is a great deal of fun. 

Download: Joan's Junior Luncheon, Lake Forest, IL, Likely 1958

Play:

~~

Let's switch gears here pretty radically and listen to six and a half minutes of production material recorded for radio station WEEP in Pittsburgh, in January of 1976. 

The box has this sticker on it: 


These short little segments are all over the map, and nearly all of them are pretty entertaining, especially if you ignore the John Denver concert promo. Another fun little tape. 

Download: WEEP, Pittsburgh - Radio Productions -January 1976

Play:  

~~

So that last sampling was a lot of fun. From about as far away as you can get and still be (I think) in radio, here we have someone I think is practicing being a DJ, or perhaps trying to make a demo tape, or... well, I just don't know. 

It seems pretty half-assed, or perhaps even quarter-assed, but it is incompetent in a fairly interesting way, so I'll just share it here and see if anyone out there has a better idea what's going on. 

Download: Unknown - Possibly DJ Practice

Play: 

~~

And in case you wanted to hear some early Randy Travis, guess what I.....

Oops, sorry, this isn't Randy Travis. It's Travis and Randy. See: 


And if you'd been one of the what sounds like no more than five people who were at the Ramada Inn in Tucson, on 10/29/71, you could have heard this little set of music (and probably a lot more, but this is all that was on the tape). 

Download: Travis and Randy at the Ramada Inn, Tucson, Arizona, 10-29-71

Play:  

~~

Now it's time for our "Acetate of the Month". In this case, someone named E. Frederick recorded four songs on the accordion - two on each side of a ten inch acetate, way back on November 27th, 1940. The two sides of the record look like this: 



And they sound like this: 

Download: E Frederick - Dizzy Fingers & Two Guitars - 11--27- 40 (Presto Acetate)

Play:

Download: E Frederick - Nola & Beautiful Days - 11-27- 40 (Presto Acetate)

Play:

~~

And finally, a VERY short example of a "Very Short Reel", and an enigmatic one at that. I'll let the track I've titled "Can You Hear That There?" speak for itself. 

Download: "Can You Hear That There?"

Play:

Tuesday, February 15, 2022

"Pantywaist!", A Nostalgic Grandpa, More From Japan, A Short Reunion and... SUNDAY SUNDAY SUNDAY!!!!

 Happy Post Valentine Day!

I have five disparate tapes for you today, as the title of the post may indicate. 

First up is what strikes me as a fairly low-rent superhero parody, called "Pantywaist!". It's somewhat along the lines of "Chickenman", which some of you may be familiar with, but with none of the wit or style of that creation. (Based on the opening lines, this may actually be a parody of that parody.) Plus, it makes frequent use of Stan Freberg's yell from the start of "The Yellow Rose of Texas", without permission, I'm sure, but even more so, without any apparent reason. 

These particular episodes ran on college radio station WNUR, out of Northwestern University in Evanston, Illinois. It's not clear to me if someone at WNUR created these, or if they were syndicated. I've been unable to find out anything about this program online. 

This is offered up mostly as a curiosity piece - interesting, and certainly unimaginably rare, and with a few fun moments, but... not very good. 

Download: "Pantywaist!" - Three Episodes from WNUR, Evanston

Play: 

~~~

From a different world entirely comes an almost painfully sweet tape, utterly guileless, in which a grandfather records a series of nursery rhymes and stories for his granddaughter, Jean Ellen, to be sent to her on her first birthday. Grandpa's choices are rather esoteric at times, to say the least, starting with a version of "Mary Had a Little Lamb" that I've certainly never heard - in fact, aside from the tune of that song, I've never heard ANY of this material before. 

There follows a very darling audio letter from Grandpa to the baby. His light accent (not sure where it marks him as being from) adds to the sweetness of the entire tape. 

The second half of this 16 minute tape is actually a fairly standard audio letter from Grandpa (and a bit from Grandma) to the adults in Jean Ellen's home, a section which, for whatever reason, becomes steadily softer and softer until the tape runs out, just before Grandpa appears to have been ready to wrap things up. 

This is one of my favorite recent discoveries.

Download: A Tape for Jean Ellen, on Her First Birthday, From Grandpa

Play:

~~~

And now, here is yet another audio letter from our friend in Japan, in this case from late October of 1968. I remain unclear if this person was just a student, or was in some way also a soldier, and if not, what he was doing in Japan. If anyone has any guesses or insights, I'd love to hear them. 

By this point, our young man in Japan had been taking to recording music in the right channel while talking on the left channel. I find this quite distracting, especially on a couple of the tapes where the music is louder than his voice (which is not the case here), but mostly, it's distracting to me because it tends to be fairly horrid 1960's MOR drivel. I mean, for God's sake, when he made this tape, "Hey Jude" was the number one record around the world, and he's treating us to the likes of The Lettermen. 

Download: Audio Letter from a Student-Soldier in Japan, 10/20/68

Play:

For what it's worth, here is the tape box for this tape. Most of the writing is worn away, but you can see the postmark: 

~~~

And now, let's drop in on the Miller Clan, at some unknown time, date and place, who are enjoying their third reunion. The audio record of this shindig is mighty short, almost short enough to be a "very short reel", because, as you will hear, after a few voices are recorded, no one really wants to talk much. 

Download: The Third Reunion of the Miller Clan

Play:

~~~

And here's something that will be familiar to anyone who grew up being able to hear the clear channel of WLS, Chicago, the Big 89, across the 40-some states where their signal could be heard, back when they were a rock and roll powerhouse. And if you haven't heard it, you've heard it referenced and parodied. 

I present to you today's "Very Short Reel". Here, in all its glory, is an original SUNDAY SUNDAY SUNDAY ad for US 30 Drag Strip!

Download: US 30 Drag Strip Ad

Play:

Monday, January 31, 2022

A 1950's Rock Session, TV Variety from 1962, Some Odd Interviews, a Truly Bewildering Acetate, and 1980's Radio Jingles

What a wondrous cornucopia of sounds I have for you, this last night of  January, 2002. Let's get right to it. 

First up, a tape which is probably the most fascinating (to me, at least) that I've shared in some time. The box states that it contains excerpts from "The Brazilian Suite", but rather than that, this seven minutes of tape features a small combo, making an attempt to record a song, sometime very likely in the late 1950's, judging from the style of the song and the design of that Scotch tape box that housed it.

I can find no indication that this is a "known" song, and I've labeled it "Blue Tears". And a lovely little number it is, bathed in echo, with a soft backing of a few instruments and a female trio adding some "oohs" and such, and fronted by a lead singer who sounds frozen in 1957-58 or so. There is one complete take, followed by a few breakdowns, and another take is starting just as the tape runs out. 

What a lovely, mysterious little wonder. 

Unknown - Blue Tears (multiple takes)

Play:

~~

Okay, that's the tape that I was most excited about. Here's one that many other readers may find even more fascinating. It's from a collection of tapes that I bought a few decades ago, and am still going through (!), by someone who recorded television shows and performances which were of interested to him or her fairly incessantly in the 1960's. There is a photo of the inside of the tape box, below, but here is a rundown of what you'll hear, during the nearly 90 minutes contained in this recording: 

1.) Mort Sahl hosting the Tonight Show - the last show of a week of hosting duties, while NBC was waiting for Johnny Carson to be available. The date is June 15, 1962, and lengthy excerpts of the show are heard, including an interview with the secretary for the Gemini astronauts, and conversations with someone who appears to be a professor, about some fairly weighty subjects. The recording of this show takes up more than half of the tape. 

2.) The Dave Brubeck combo performing on The Ed Sullivan Show on June 17, 1962

3.) The next subsequent episode of the Tonight Show - from the following Monday, June 18th (hey, that was my brother's eighth birthday!), featuring Steve Lawrence hosting, Steve Allen and songwriter Billy Rose as guests (Allen sings) and, believe it or not, Mort Sahl returning, as another guest.

4.) Oscar Peterson performing on The Today Show (undated)

5.) And my favorite segment, at the end, the wonderful, incomparable Limeliters, performing a few songs on what appears to also be The Today Show (also undated) 

Download: TV Recordings, 1962 - Mort Sahl, Dave Brubeck, Steve Allen, Oscar Peterson, tThe Limeliters

Play:  

And here's the inside of the tape box, with The Limeliters' name spelled incorrectly!: 

 

~~

Here's a tape which is more than a bit of a mystery to me. It sounds like a series of interviews for various positions, but the variety of positions makes me think that this was something else, perhaps even a rehearsal or practice at either interviewing people or being interviewed. 

There are a few references to the Indianapolis Hilton, so I suspect that's where this was being recorded, and most of the jobs being interviewed for involve hotel work of some sort. But not all of them, and not a single one seems to be for the same specific job as any of the other interviews. So it's sort of strange. Strange enough that I thought I'd share it with you. See what you think!

Download: A Series of Interviews at the Indianapolis Hilton

Play:

~~

And now it's time for our "Acetate of the Month". Now if you thought the purpose of the interview tape was inscrutable, or if you thought the "Blue Tears" tape was mysterious, that all may be true, but neither is as inscrutable or mysterious as today's Acetate. 

Imagine my surprise and bewilderment when I heard the following sounds - clearly and entirely backwards - coming out of an unlabeled acetate. 

Download: Bizarre Backwards Acetate

Play:  

My guess is that this was made for use as some sort of effect on some radio program. 

Now I'm sure a lot of you have the ability to turn this around, using one type of software or another, but I've done it for you, and the results are just as bewildering - here we have an old woman singing a sort of nonsensical folk song - one I am unfamiliar with, in which one of the key words is "pumpernickel" - with her performance chopped up so as to make the rendition all the more incomprehensible. Then, of course, they flipped it backwards for the acetate recording. Wow. 

Download: Bizarre Backwards Acetate (reversed)

Play:  

~~

Finally, our very short reel, and a return to normalcy. What we have here is the production of a company called Continental Recordings, with a little more than three minutes of jingles and production music for WGAN, AM 560 in southern Maine

Download: Continental Recordings - WGAN Jingles and Production Music, 1982

Play:  

And here's that tape box: 



Comments are welcome and encouraged!

See you next time....

Monday, January 17, 2022

Bloopers in Iowa, Vacation in Germany, Natives in New Mexico, Women in Market Research & More

 Greetings!

The files for this week, and my overlong text (I'm sure) that will go with them will follow in a moment, just a few jumps down the post.. 

But first...I'm using the start of the new year to get caught up on some replies to comments that many of you have been kind enough to leave. First, please know that I don't usually respond in the comments, not knowing who might or might not see them, but if you use your actual e-mail address when you comment, I often will respond by e-mail. But I understand why many don't want to do this.

Anyway, here are a few of things that I thought were worth sharing (more will be shared with future posts). 

I want to start by thanking everyone who wrote (either in comments or via e-mail) about the post I wrote for my father's 100th birthday.  It was very rewarding, touching and at times overwhelming to read these comments, and I deeply appreciate it. 

Okay, on to other things. From the "Small World" file, I heard from two people with personal connections to the Christmas Day family recording I posted a few weeks ago. The first was from Eric, who reported that he grew up in the same town in which that tape was recorded, and knows the street the family lives on quite well. Not long after that, I heard from "Old Guy" who reported that he was born two days before that recording was made. Some coincidences! Thank you both for writing. 

Then there is a comment from Jeremy, which can be found at the end of this post. Jeremy figured out that the tape from the young man in Japan was recorded in November of 1967, and he explains how he determined that in the comment. Thanks, Jeremy!

For this post, from Halloween of last year, I got a couple of comments worth mentioning. One anonymous poster suggested that the Octet music sounds a lot like music that was used in certain NFL films of an earlier age, and wondered if anyone had those films on VHS (or otherwise) and might compare.  And Brother Herbert wrote, regarding the same post, suggesting that the last name of the narrator of the vacation tape (and also the narrator's son) is Glossnick, or something similar. Thanks to both of you!

"Oldradios90" is a reader who comments quite often, which I really appreciate. A couple of months ago, OldRadios left this comment: 

II recently digitized this tape of a 1960s comedian to archive.org can you possibly make out who it is? https://archive.org/details/01.-1960s-comic-monomix 

I do not recognize the comic. Anyone out there have any guesses, or even a definite answer? 

The same poster asked if I had any "blue" Friar's club material, and I direct that reader to this post, from nearly five years ago. 

And I shouldn't leave the top of poster "OldRadios" before quoting something I was asked in a comment several months ago: 

"Hello Bob! I was wondering if you ever kinda get this sad feeling when a tape ends? Especially on recordings of family and friends because you feel like you get to know these people for a short time and you wonder what happened to them and if they are still alive?"

What a wonderful and insightful question! Yes, this absolutely happens, in exactly the situation you describe. I don't know that I feel like I get to know them (with the exception of a few cases), but I often wish there was more, wish I knew more about them, and frequently wonder whatever happened to them. On occasion, I even get to find out, when they (or their relatives) write to me. Sometimes, the internet can be amazing and wonderful. 

Finally, before getting to today's tape-a-palooza, a big shout out to Timmy, who nearly always comments, often saying something about every last thing I share, at this blog and at the song-poem site. I appreciate your involvement in this little project of mine more than you could know. 

Okay, now I'll share some stuff. 

~~~

Here's an interesting compilation. I suppose it's possible this reel circulates out there, but this particular collection may have been unique to its previous owner, who was a family member of mine who was also a working actor in Iowa for many, many years. It's a compilation of radio bloopers, mistakes and other outtakes, which largely appear to have their origin in various spots in Iowa. 

I find this sort of thing very entertaining, and hope you do, too. 

Download: A Collection of Bloopers From Iowa Radio

Play:

~~

Next up, one of several tapes I bought, somewhere along the way, featuring an American family who lived in Germany, and who took frequent vacations into other parts of Europe. Sometimes it was just the couple on the vacations, and sometimes their two young daughters went with. 

What makes these tapes interesting, and often fascinating, to me, is that this couple recorded updates to their trips in real time, with an audio diary of each day's events recorded every evening. I've found four or five of these in my collection - all recorded on three inch reels at 1 7/8 inches per second - and it's possible there are a couple more. Today's entry is the shortest of those I've found thus far, and it sounds like this might have been the first of at least two tapes (many of these vacations seem to have had two or three tapes made) - if so, I don't have the other tape. It also sounds like this was the first vacation made after the family moved to Germany, based on the main speaker's introduction to the reel. 

The trip was to Berchtesgaden in Bavaria, and I only knew how to spell that, because it was written on the tape box, a box which I'd scan and share here, except I can't find it now. The starting date for the trip was June, 1967. Here's the tape:

Download: Our Trip to Berchtesgaden, June 4-10, 1967

Play:

~~~

On a wholly different subject, here is a documentary, produced around 1970, but something called "The Children's Foundation", titled "In Occupied Territory", and dealing with the problems and challenges faced by Native Americans and Chicanos in New Mexico at the time. I think this is pretty interesting stuff. 

Download: The Children's Foundation - In Occupied Territory (Radio Documentary)

Play:

Here's the tape box: 

~~

Here's a tape I wish I had in complete form. I've come across a few of these over the years, and I think I shared at least one here before. It's market research session. They get a bunch of people together with the goal of finding out more about how their product - or perhaps a product yet to be introduced - is thought of, and related issues. 

This recording exists on an otherwise erased tape - the material erasing it was far less interesting. So this is only the first 16 minutes or so. In it, we learn that the focus will be on the low-cost Steak Houses which used to be far more common than they are now - Ponderosa, Bonanza and the like. 

Of course, the company paying for this group session isn't mentioned to the participants, as that would surely skew the results. What we have here is the opening introductions - each participant is a housewife or an older woman whose kids have grown. We get a little bit into the actual conversion. As it continues, a baby begins having a fit in another room, as the conversation continues. One of the participants identifies that it's her child who is upset, after several minutes of wailing. They are just starting to discuss what to do about this when the available tape stops. 

Download: Market Research Session - Low Price Steakhouses (beginning only)

Play:

~~

At the end of October, I posted a tape labeled "Octet II", which a couple of commentators really enjoyed and found interesting. What I didn't recall, at all, at the time, was that I had another tape, labeled "Octet", featuring four more songs from the same group. I came across it during the holidays, while looking for something else. Here is it!

Download: Octet I - Four Songs

Play:

And here's that tape box: 

~~

And finally, here's our "Very Short Reel". Today, it's another voice actor demo reel, in this case for Julie Codlin - just over two minutes of her various commercial performances. 

Download: Julie Codlin - Voice Actor Demo Reel

Play:



Thursday, December 23, 2021

Christmastime Is Here

 Seasoned Gratings!!!!

For this last post of the year, I'm going to focus almost entirely on Christmas and New Years, with only an exception for my weekly "very short reel" - and a bizarre one of those, at that. 

First, as I've done every year on this blog, I have a recording of a family celebrating Christmas at home. In this case, it is among the earliest, if not the earliest, Christmas recording I have featured, as the box makes it clear that we are hearing "Christmas, 1954", at a house on "River Road, Chatham, New Jersey". See?: 

There is some wonderfully charming stuff here, mixed in amidst the general conversations, package opening, and (unfortunately, in this case) moments of poor recording quality. I particularly enjoy the music, although the final segment of singing in marred by someone who decided to add a vocal version of stand-up double bass accompaniment, and did so as loudly as the piano and singer, essentially ruining the entire segment. 

Travel back in time almost exactly 67 years, and enjoy a family Christmas celebration. 

Download: Christmas, 1954, at River Road, Chatham, New Jersey

Play:

~~

In a moment, I will have my usual "Acetate of the Month", but first, I have something of a mix between my usual posts and that feature - here is a reel of tape I found, in which someone made a tape of an acetate that he found.

The man who is speaking (Rex, in St. Louis) was almost certainly part of a "tape exchange" club of some sort, probably the type (which I've learned was quite a thing, in the '70's and '80's), in which members exchanged tapes of old time radio. What the speaker has found, as you'll hear, is an acetate someone made on Christmas of 1953, in the Philadelphia area. The person spun the radio dial and picked up nearly 20 minutes of Christmas programming on that day. An enjoyable little diversion from nearly 68 years ago. 

Download: Scanning the Radio Dial on Christmas, 1953

Play:

~~

And now here's that Acetate of the Month. And in this case, it's a lengthy one, recorded at 33 1/3 RPM on both sides of a ten inch acetate. And this one is from a Christmas party. Specifically, a Christmas party held by the employees of a local post office, in December of 1960: 


Aside from saying that there are moments here which are quite affecting, I believe I will let this recording, which is about 25 minutes long, total, speak for itself: 

Play:  

Play:

~~
Moving on from Christmas to New Year's Eve, what I have here are a few fragments from a top 40 radio New Year's Eve countdown, as 1964 became 1965. I deeply wish I could share the entire countdown with you, but our intrepid tape operator, whoever he or she was, was one of those people who desperately wanted to avoid getting the DJ's voice, so although the entire top 25 of the year (for this station), the DJ patter (and that of a supremely annoying sidekick named Bruno) is only audible before the # 1 song. The rest of the songs literally cut on after they start, and cut off before they end. 

It's an unusual top 25, too, at least when compared to where some of these songs charted nationally that year. # 25 is a version of "Shenandoah" that, as far as my chart books indicate, never hit the charts nationally at all. Other songs which seem to have been MUCH bigger locally than nationally were. The numbers in parenthesis are the songs' national peak - not year end, but just regular run - on the Billboard Hot 100: 

# 20 - No Particular Place to Go (10)
# 16 - In the Misty Moonlight (19)
# 13 - Haunted House (11)
# 12 - Chug-a-Lug (9)
and
# 3 - Nadine (Is It You?) (23)

Only two of the above made Billboard's Top 100 of the year ("Haunted House" and "Chug-a-Lug", and neither of those made the top 60. 

And I love Chuck Berry, and wish his comeback in 1964 had been big enough that he'd had two of the 20 biggest hits of the year nationally, but that was not close to being the case!

Anyway, the station is KXOK, in St. Louis (which helps explain the Chuck Berry songs placing so high). All I have here is the # 1 song (which should surprise no one), with part of its introduction, then a recap of then-recent presidential election. Then there is some talk about the new year ringing in around the world (and an atomic clock counting the seconds), followed by the final seconds of 1964, counting down to 1965 for St. Louis. This is followed by the first song played in the new year, a bit of DJ patter and the start of the next song - "Shake a Tail Feather" by the Du-Tones - a top 60 hit nationally in 1963, but probably a bigger hit on KXOK, as the group was from.... St. Louis. 

Play:

~~

And now it's time for that very bizarre, and "very short" reel. What you're about to hear is contained on perhaps 30 or 40 feet of tape - if that - which I found spliced to the end of a large reel of leader tape. 

The first half of its 82 seconds is mostly some sort of white noise. There is something going on faintly beneath the noise, but not much. But precisely halfway through, there is a great bit of vocal noise,  followed by a young person speaking in a foreign language. I believe it's French, but I don't speak that language, and with the white noise persisting throughout, so I'm not even sure I'm right about the language. Maybe someone out there can assist in identifying what's being said. 

Anyway, this little hunk of tape sure fascinates me. 

Play:

~~

And finally, those of you who have been reading my posts for the last few years know that my family uses the Christmas Card tradition to engage in a bit of performance art each year. Previous end-of-the-year posts have other examples, and now, here is the latest in the series: 


From the left, that's me, my wife with the marshmallow in her face, then our two adult kids, and on the right, the fellow who will soon be, variously, husband, son-in-law and brother-in-law to the rest of the individuals in the photo. 

Tuesday, December 7, 2021

A Post For My Father

Today’s post is a little different. Well, a lot different. There will only be a handful of (mostly very short) sound files offered – although all of them are still from reel-to-reel tape! – and mostly I will be telling a story. For those who will choose to indulge me, I thank you. I understand if others choose to pass this by, and hope you will return next time, when I'll return to the more typical focus of this blog.

This is the story of my father, and my life with him. Because today, December 7th, 2021, is the 100th anniversary of my dad’s birth.

Frank Purse was born in Tacoma on December 7th, 1921, and was the oldest of three children born to his parents in the next few years. The family – and the area – was very poor. In 1928, when he was six, his mother died. HIs siblings were about four and two. As his father worked many miles away, and was unable to care for his children day to day, they were moved to the home of their aunt and uncle, who had a child of their own and were in similar financial straits. They remained in this home for all of my father’s childhood. Around the time my dad graduated high school, his father remarried, and the entire family reunited and moved to the North Shore of Chicago. He began attending the nearby Northwestern University, pursuing an Engineering degree, and drove a cab to help pay the bills.

It was while the family was celebrating his 20th birthday, on December 7th, 1941, that the attack on Pearl Harbor was announced. Dad eventually went into the service. He flew the P-51 mustang, was Captain of a fighter squadron, and was stationed in King's Cross, England, making flights over Europe.

After the war, he returned to Illinois, and Northwestern, and at some point, the family moved to Evanston. Around 1948, he became friendly with the young woman whose apartment window faced his own, across a gangway.  This was Mary Frances Godwin, a classical soprano with a promising future, and the woman who would become my mother. One of Mary Fran's acquaintances commented that “Mr. Frank looks like a Movie Star”, and pictures from back then show him to have looked somewhat along the lines of Clark Gable or Errol Flynn. Maybe you'll agree:

In quick order, Frank and Mary Frances were dating, then married in 1949, then had my sister in July of 1950. My brother followed in June of 1954, and I finished the trio of children six years and two days after my brother, in June of 1960. Along the way, dad had long since gotten his Master’s Degree in Engineering, and had begun a career of what would turn out to be nearly 40 years at Universal Oil Products (UOP). When I was one year old, the family moved from a four flat in Skokie, IL to a large house in a wooded neighborhood in what was then the boondocks – a tiny town called Northfield - population about 4000, at the time. This is where I would grow up, and where he and my mom would live the rest of their lives. Our modernistic ranch house, complete with a flat roof, except for the living room, which had a ceiling that went from 10 feet to 12 feet on a diagonal angle, can be seen below, in a picture taken just before we moved in: 

Just about the first thing dad did after taking ownership was to cut those bushes on the left WAY back so that they weren't completing blocking bedroom windows. 

And here’s the family, not so long after we moved to Northfield. I bet you can figure out which one is me:

As I’ve written before, when my dad wanted something, he wanted the best. It’s more complicated than that, though. Having grown up poor before the depression, and no doubt even more severely after 1929, he was not one to spend his money loosely, or often at all. But when he did want something – most of the time something to do with audio – he didn’t go halfway. So it was that when reel to reel recording became an available “thing”, he bought the top of the line for that moment (1952), a Concertone behemoth which retailed for $400 at the time – roughly $4000 in today’s money, although he likely got a discount, as it was a recently retired studio model (from Columbia Records, I found out years later). That must have put quite the dent in the young couple's finances. He continued to buy the latest in reel to reel machines for the rest of his life – a more compact mono machine in 1963, a top of the line Ampex stereo model in 1966, and Teac machines in roughly 1976 and 1989.

So, I was afforded the possibility of falling in love with the reel-to-reel tape medium. I’ve written about that, before, as well, and won’t repeat myself here. But my dad’s interest in this medium made it possible for me to develop this obsession, so his interest in reel recording is as responsible as anything for the existence of this blog, as well as my previous reel posts at WFMU.

My dad was generally speaking a serious guy, but with a wonderful spark of dry humor when he felt like it. But I get the feeling from the few recordings I have of him that he was looser and more fun in the early days of my family, than he was by the time I was growing up. I ascribed that to the increasing demands of his job, as he moved up in ranks at work, as well as the demands of having three children, rather than one or two. He was also a more musically active person in the 1950's than he was by the time I have memories.   

The longest recording I have that involves my dad is one I shared many years ago at WFMU, made on Christmas morning, 1952, with my sister, then 2 ½, singing Christmas carols. He talks quite a bit and plays piano on at least one song. It was the first time they used the Concertone. I will not repost that here, but you can find the entire tape here. In that same post, I also included a somewhat later Christmas recording, with dad playing piano and my sister singing. He is a bit more vocal here than on the 1952 tape, so I will include that one here. Plus, it's December, and this tape is Christmassy, too. 

Download: Marcia with Daddy – Santa Claus is Coming to Town

Play:

When my sister was around three – probably on her birthday – dad taped her reciting a gory little poem - entirely inappropriate for a preschooler – called “Taffy”. I love the noises she makes as she leads up to the violent ending, as well as his rather gleeful encouragement at her performance. He then turned on the PA monitor speaker and had her sing Happy Birthday to herself, which she did not quite finish before the tape ran out.

Download: Marcia – Taffy & Happy Birthday

Play:

One more tape of my sister and my dad, first playing Chopsticks together, then duetting on the old folk song “I Love My Rooster”. That’s dad on the piano again. I love how he suggests that they're in a bad key for their voices, then moves the song almost completely out of his range.

Download: Daddy and Marcia – Chopsticks & I Love My Rooster

Play:

Sometime after we got our compact 1963 machine, my dad was playing his baritone ukulele and leading the family in a favorite of ours, “The Braggin’ Song” (aka “I Was Born About 10,000 Years Ago”). This is a song we knew from the wonderful rendition by Odetta and Larry, which you can hear here, and which I was to sing with my mother, decades later, on many occasions. 

My brother started up the tape recorder to capture this moment. For whatever reason, this resulted in the performance stopping, and he was encouraged to record later. I’m not sure why, but it’s disappointing. But this little fragment – really three sections of performance – is very dear to me. 

Download: The Family Sings “The Braggin’ Song”

Play:

I don’t really recognize the father I knew in those tapes. By the time I was old enough to know what was going on, I never once saw him play his beautiful electric/acoustic Gibson sunburst guitar, and almost never saw him play the ukulele, although he did teach how to play that instrument. Despite his rudimentary piano skills, during my childhood, he would really only play two songs on the piano, and that was probably a few times a year. I think one was "Deep in a Dream", and I can play the other song, as he would play it, but can't remember what song it is. 

I do hear the man I knew, with his shy, dry humor in this next little bit of tape, made right after he bought our 1963 machine, as he and my brother Bill tested it for the first time. Here, they will quote a few lines from The Smothers Brothers, he makes a joking reference to a folk song about a train, and then he recites the first line of a particularly awful poem, one which we all knew from a self-published book of awful poetry that our family somehow had obtained. Bill then finishes the first verse. In case you can’t make out the words they are:

My paw held me up to the moo-cow moo, so close I could almost touch

And I fed him a couple of times or two, and I wasn’t a ‘fraid-cat much.

Download: Dad and Bill – A Few First Recordings

Play:

Dad’s taste in comedy leaned towards the intellectual and the offbeat, and comedy albums were played around our house seemingly all the time. For me, above all others was the man who made the best stand up (well, sit down) comedy albums in history, Shelley Berman. But I also can't say enough about Stan Freberg, Tom Lehrer, The Smothers Brothers, Victor Borge, and many more who filled my brain with a very specific and dry sense of humor. It helped that he was inclined to express his own humor in the same way.

~~

Person A: “Time Flies…”

Dad: You can’t. They go too quickly.

~~

Dad: Is it warmer in the country than it is in the summer?

~~

And the best one:

Dad: I feel more like I do now than I did ten minutes ago.

~~

I've been told that, in his early days at UOP, he would sit in a room, on a stool at a drafting table, with several other guys, all of them doing the same. In that setting, he lived for that moment when someone would come in looking for one of his peers, so that he could say "he sits two stools behind me". Ho ho. 

I also remember him just about losing it while we were watching a football game together. There was a field goal kick, and the camera was poorly centered, not showing the cross bar. The kick was low, and after it was over, he started laughing, pointing out that both he and I had gotten out of our seats to try to “look over the edge of the bottom of the TV screen” and see if the kick was good.

At some moment in 1968, he scraped his foot open on a rough spot or maybe a nail or something on the floor somewhere, and made up a little nonsense song about it.

“Scraped, Scraped, Scraped it on the floor

It don’t hurt no more, ‘cause the skin is tore”

No, that doesn’t make sense, but that was him. And, remarkably, there is an ever-so-brief tape of him singing the second line of this song. I am so glad to have this tape, because it captures of side of him that I saw far too rarely. My mother sings for a moment, and later comments on how awful this tape seems to be. The young child yelling "Talk Dad", and later having a laughing fit and otherwise being very loud, is me. The older child heard is my brother Bill, who encourages dad to sing, which he does, just a bit, after feigning having injured himself. It is Bill that is playing the piano, and who sings part of the first line of the song. 

It probably took you longer to read that section than it will take to listen to this 37 second piece of tape:

Download: Frank Purse – Scraped, Scraped!

Play:

(It’s worth noting that everyone in our family was in the habit of making up songs – often to existing tunes – about everything and anything they did, heard on the TV, or that came up in conversation. I still do that to this day.)

And that's really the last – meaning most recent – significant recording of any length that I can find of him, unfortunately. Anything more recent is along the lines of simply checking sound levels or making brief comments at group gatherings.  

~~

In addition to everything else, dad subsidized the musical education of my brother and sister (both of them exceptional musical talents), as well as nine years of both trombone and piano lessons for me (not an exceptional musical talent). And as I mentioned, when I was 15 or so, he taught me ukulele chords, which I later transposed for myself onto guitar, when I became a self-taught guitarist in the late 1970’s.

Still, in those years, I didn’t know him very well. He was an occasional world traveler (for work) by the time I was seven or eight - even before that, he made many trips to California, where he was on the team that was perfecting the catalytic converter. And from the time that I was 12 and into my early 20’s, he was very frequently off in exotic places like Saudi Arabia, Jordan and China (soon after Nixon opened up relations with that country), overseeing refinery construction and things like that, often for weeks at a time. He had the great stories about his experiences in those countries.  

There were wonderful things my dad did around the house. He designed and built by hand an enormous and complex model train set. The kids got to help a bit, but I was still little at that time. But if I’m ever in a hobby store, and get to the model train area, the smells of the various parts that permeates the area takes me right back to those wonderful days with the model trains.

And when I was in my early teens (and my siblings had long since moved out), he, my mom and I took a driving vacation across the country to Yellowstone, and many points on either side. It was joyous, I saw parts of this country everyone should visit, and I got to know both of my parents much better. This was a pivotal moment in my life, as I’d spent the previous two years increasingly depressed and anxious due to worsening bullying during 7th and 8th grade. Getting away like that, in a sort of cocoon with them, helped me prepare for massive changes that were coming my way, and that I would make in myself, as I entered a high school where almost no one knew me. A few weird memories stick out. I especially remember the day that, out of nowhere, he recited to me a couple of off-color poems featuring bathroom humor, which was so out of character for him as to leave me speechless. That was also the trip on which he allowed me to have a sip of his beer. I hated it, and 47 years later, it remains the only sip of beer I’ve ever had.

When I was in my later teens, dad designed and built a deck for our back yard, and put me to work with him, which was greatly enjoyable and a time of deep bonding. Again, if I’m ever around pieces of wood being carved up on circular saws and the like, there is a very distinctive smell that takes me right back to working with him on that deck. We also lived in a house with a relatively soft wood exterior, so every several years, we scraped off the old dirty paint and repainted it, and I treasure those memories of working and talking together, as well.

Here’s a picture of dad from 1977. Note the new Teac tape recorder behind him, and the various cabinets and shelves containing or holding recorded sound-related items. Dad built all of that cabinetry and shelving. I also love the good humor that radiates from this photo. This is how I remember him. 

My dad was definitely a man of his era. He didn’t talk about the war, and he didn’t talk about feelings – he was generally quite taciturn. He certainly had elements of “the organization man”, in the phrase of the day. He (and his peers) drank alcohol at meetings, at lunch, and at home, and he smoked two packs of cigarettes a day. As a child, I was diagnosed with fairly severe ADHD, and was put on Ritalin. I was bouncy and extremely loud and boisterous, and tended to quickly rub him the wrong way with my sheer energy level. Later, I was a heart-on-my-sleeve teenager who was an open book about my feelings, seemed to fall for every girl who was intelligent and cute, and got destroyed, emotionally, on a regular basis. And I couldn’t comprehend the need or desire to imbibe in mood altering (or addictive) substances. Dad and I were not at each other’s throats in any way, and we certainly got along and enjoyed each other, but at a certain, important level, each of us was a mystery to the other. And in retrospect, I’m sure it didn’t help that he seemed to be on business trips half the time.

Dad’s drinking never got out of control in the ways that we all known drinking can: he was not an angry drunk or someone who drove while intoxicated or anything like that. But by the early 1980's, the amount he drank had become very concerning. Some nights he would have five or more mixed drinks, and often got very quiet and withdrawn. Sometimes he would go to bed by 7:30 PM. And the amount he did ingest (including the cigarettes), combined, I’m sure, with the stress of his job (where he was eventually a Vice President) did have me planning some sort of intervention. I asked both of my siblings to come home for Christmas, 1983. But before either could arrive, two medical events took place, two days apart, just after his 63rd birthday. He was diagnosed with diabetes on a Wednesday, then had heart attack on the subsequent Friday. There was a hospital stay, and following that, he never again had a drink of anything stronger than wine, and never had another cigarette, quitting cigarettes and hard drink cold turkey. And that – and some great doctors - gave him just over another 11 years.

It strikes me with some degree of shock that I am less than two years younger, today, than he was at the time of his heart attack. He had long since seemed like an old man to me at that time, and aged rapidly over the rest of his life, although he was at all times vital and engaged and very physically active. I'm 61, and I don't feel old - I feel like I'm 25, and have felt that way, since I was...25. I wonder if dad felt old, then, at 63. 

I was still living at home – which I did until I got married a month before my 28th birthday, and as dad moved into retirement, I got a chance to know him much better. We spent a lot of time together, and I’m sure we enjoyed each other the most of any point in either of our lives. He welcomed my friends into the home, and when there was a chance for conversation, enjoyed interacting with them. He and I worked on projects together (painting the house… again, redesigning the yard, making repairs at a block of apartments that he owned), watched shows and movies, and developed a really nice, adult-to-adult relationship.

Here we are after he retired and grew a beard, and I had Chicken Pox (at age 25) and had no choice but to grow a beard:

Beyond the sort of personality mismatches between us when I was a child and adolescent, we had our differences as well, into my young adulthood. A few little ones, but primarily, one major area of difference.

Dad was a lifelong Republican. This was primarily due to his view of financial and military issues: he was generally socially moderate, but seemed to consider those areas to be personal views, not things to be addressed with tax dollars, and he absolutely did not consider social issues to be worthy of basing one’s vote on. By the mid 1980’s, he told one of my siblings he thought that Ronald Reagan was the greatest president of his lifetime – I'm sure Reagan's policies made him the wealthiest he was at any point in his life (if he was ever home on a weekday, no matter what else he was doing, the Chicago TV station that played real-time updates of the stock market was always on). 

I, meanwhile, had been spending time getting a degree in Human Services, taught largely by Psychologists and Social Workers, and between that and my burgeoning fascination with American Folk Music – and its leading purveyors – had turned me from someone who was disinterested in politics into the Socialist-leaning Democrat that I’ve been ever since. Our solution was that we barely ever spoke about politics (but, to be fair, I should add that we didn’t talk about politics before my awakening, either). Perhaps – no, probably – because of my privileged upbringing, I had little to no interest in finances. I liked money, and I worked – from about age 14 on, I would do whatever would bring in cash, mostly cutting lawns for several years, but later driving delivery, restaurant work, even driving a cab (just like he had). But I doubt he would say I had the right sense of the value of money, or the right respect or understanding of it. Today, where he here, he'd likely say I still don't. And once I got a Bachelor's Degree, it gave dad fits that the jobs I was interviewing for, jobs which required my new degree, would pay me little more than his employer paid for secretaries. 

In retirement, my parents got to enjoy each other's company more richly and consistently. They traveled quite a bit, and dad was one of the early adapters of the home computer revolution. He used his new computer to completely design the new kitchen they wanted to have built, to replace the very worn and not user friendly kitchen that had been in place since that house was built in 1952. Near the end of his life, he became absolutely fascinated with trying to beat every deal of the then-new FreeCell software. 

Dad welcomed my future wife into our lives, and once Gina and I were married, helped us out financially at first, and also with manual labor, helping to paint our first apartment, and, once we had moved to a house, helped argue our case to a lawyer who was giving us trouble. He assisted me financially, again, when I went to graduate school. He even helped me tear down a wall where we wanted to remove a closet and in doing so, enlarge a part of the basement. He loved my children deeply, and one of my favorite pictures shows him, in the yard, holding hands with the older of my two children, who was then three years old.

That work in the basement was actually the last time we worked together. A few weeks later, we got together to celebrate my mom’s birthday – it was the middle of April, 1996. That was the last time I saw him. I got paged at work on May 3rd, 1996, responded to the call, and learned that dad had died in his sleep. He was a bit more than six months away from his 75th birthday. Aside from his history of heart problems and other chronic issues, there had been no immediate worry that he would die soon. The previous day, he’d worked in the yard and gone on errands with my mom. I’ve always felt that he had so much more to do.

At his funeral, my siblings and I each spoke about him, giving very personalized and thus very different versions of his story, and ours. I took comfort in the words of the priest at the end of our speeches, something to the effect that he’d rarely heard such a level of tributes, and that Frank Purse (who he had not known – dad was not a churchgoer) must have been a very special man.

He was. He was a good, good man, and once I knew enough to admire him, maybe late grade school, I did admire him, and I never stopped admiring him. So many of my childhood and teen friends had combative relationships with one or both parents – deteriorating connections, angry outbursts by one or more person, even having to move out to escape an untenable situation. I do know that, being the youngest of three – and by many years – I got a more patient, experienced and relaxed father during my teen years than did either of my siblings, who each had at least moderate young-adult conflicts with him, and I know that I’m fortunate to have been parented by him later in life than they were. My dad and I had a few arguments, and I shouted it him on about a half-dozen occasions, and he at me perhaps three times, but that was about it. And I am forever thankful at my great luck at having been born into a prosperous family, where there was never material need, and where there was an abundance of love. 

Dad did what was right, especially when it was important to do so. (I learned long after his death that, on his first trip to China, he was offered a visit by a prostitute – he pointed at his wedding ring, and was told “that doesn’t matter here…” “It matters to me” was his response.) He was always ready to help a friend, neighbor or relative. He worked his way from a poverty-filled childhood to the vice presidency of a company building oil refineries. And he almost never, that I recall, told me I was wrong about something, preferring to let me know in more gentle ways, and to try and help me see another angle. He loved me through and through, even though he clearly didn’t fully understand me when I was a severely hyperactive eight-year-old, or a depressed 13-year-old, or a love sick 16-year-old, or a 25-year-old with a preference for socialism. And I loved him just as much, even if I couldn’t fully relate to how his poverty-stricken childhood, war experience, political views and job experiences had left their mark on him.

I'd like to add one more thing. There is an musical artist named M. Ward, who I believe to be the best recording artist of our new century. M. Ward and Bob Dylan are now the only people releasing music that I will purchase upon release, without hearing first. He has a song called "Requiem", in which some of the lyrics put me in the mind of my father. Not all of the lyrics match, but enough do that I'd like to share it. And musically, it ranks among the more powerful tracks I've ever heard, too. The video is great, too, and you can see it here. 

Download: M. Ward - Requiem

Play:  

Okay, I should stop now. I’m making myself cry.

Thanks for everything, dad. I love you, and I miss you.

I’ll close with mom and dad, photographed in 1993, an overwhelmingly happy and content older couple, still deeply in love, after 44 years of marriage. 


Oh, those wise eyes of his, and that wry smile...

A deep thanks to everyone who made it all the way to the end of my story. I hope you found it enjoyable and meaningful.