Let's start off with what I'm guessing will be the most popular offering from today's posting. This tape is labeled as being a group of highlights for someone named Joan Wile, who is featured on each of the records on the tape. Happily for all of us, these recordings turn out to be some absolutely wonderful and vintage radio jingles, from stations all around the country. The tape box had a mailing address for Ms. Wile on it (not copied in the scan, below), in a very fancy location in Manhattan, with a zone ("New York 19") rather than a zip code, marking this as being a tape from prior to 1963. Listening to these jingles, I'm guessing the late 1950's is more accurate.
And they are simply magical. At the end of the tape, as indicated in handwriting on the box (below), and on the other side of the tape, is a single commercial, in this case for a anti-dandruff concoction with the deadly sounding name of "Dandricide". Unfortunately, this commercial is not quite complete AND has a short gap in it, as well, as you will hear. But still pretty marvelous, you-shoulda-been-there sort of stuff.
Download: Joan Wile - Radio Station Jingle Demo Reel
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The provenance of this next item is a bit hard to discern. It is an interview with country singer and one-time (short lived) pop music star Bobby Helms (along with, briefly, his wife), by someone whose name might be Armel Shaw, which is a guess at the spelling. The interview is from Canada, and was recorded while Helms was performing in a local venue, probably in 1967.
However, it doesn't seem to be from a single radio station. Rather, it appears to be that Mr. Shaw was a freelancer who perhaps simply recorded interviews with the stars as they passed through town and then sent the tapes out to radio stations - perhaps (again perhaps) with some sort of arrangement in place whereby they would play them, perhaps just in the hopes that they would do so. I dunno.
After the interview the tape contained much of the contents of a 1967 Helms compilation album, followed by the brief bit you'll hear at the end, asking folks to record their comments on the interview. This seems to indicate that the tape was passed from station to station, rather than individual tapes being sent all at once to all stations (since he asks that comments be recorded only after other commenter's recordings as bypassed). A very peculiar method of getting one's work out to the listening public.
Download: Armel Shaw - Canadian Interview with Bobby Helms, Circa 1967
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Now here's a fellow who, I'm guessing, had either a brand new console organ for his living room or a new tape recorder, or perhaps both. And, as he says (and I've titled it) he's going to try it out for the fun of it. Things get off the ground swimmingly with the most disjointed version of "Alley Cat" that you've ever heard. Near the end of this performance, he curses his playing and comments that "I started out wrong". He remained wrong, too, but doesn't seem to have noticed. This segues into an equally scattered, equally beat-less version of "Ramblin' Rose" (I do note that there definitely is a beat in the accompaniment, but there is no attempt to follow it in the melody). A short song I don't recognize follows, and then, after a brief discussion, "On Top of Old Smokey" in another tempo-challenged rendition finishes off the set.
Unknown - Trying Out the Home Console Organ for the Fun of It, Once
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In the box for a 10 inch reel of tape I found the following concert program:
Yes, the Vanderbilt Glee Club. I often find that Glee Clubs were, in the past at least, engaging in performances of material that have nothing gleeful about them. This would be one such example. There is no date anywhere on this sheet or the box.
Indeed, on the tape is that exact program. Only it's not from the concert - or if it was, no one attended, or else no one was impressed enough to applaud. More likely this is a recording of the program - either of a rehearsal or a deliberately recorded run through in order to have a good copy of that program. So there is no audience. This tape is in mono in this sound clip because I do not have a machine that plays two track stereo, a fairly short-lived format which existed from about 1957 to 1960 or thereabouts.
Download: The Vanderbilt Men's Glee Club - Undated Performance with Organ Interludes
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What comes next on that tape might actually be the second most fun item in today's posting. For the rest of the tape, we have the sort of thing I always identify as a "Hodgepodge" - a motley collection of unrelated recordings in a relatively short space of time. This material was on the rest of side one, and then on the start of side two.
First, as soon as the Glee Club recording ends, there is a small orchestra flourish, the end of some piece. Then we seem to eavesdrop on a moment during a rehearsal of some sort. It's hard to hear, but the conversation includes a reference to a gospel reading.
Then, at the one minute mark, someone plays scales on the piano, very heavily and loudly, in octaves, before launching into a sedate version of the hymn "Holy, Holy, Holy! Lord God Almighty!". And then does the octaves and the hymn again. And again. A total of six times, throwing in a short bouncy version of another hymn (which I can't think of the name of) in the middle.
Now we're up to minute six and onto the brief recordings on side two of the tape. This section is poorly recorded, with a prominent hum (which I've minimized some). There is some bland background music playing, and a few people have a conversation about the recording they're making and the best way to capture it. After two and a half minutes, the music segues into a classical piece that I'm guessing someone will recognize, and that lasts until the other channel of the Glee Club tape (heard backwards on my machine - which I didn't include) interrupts it, and the Hodgepodge ends.
Download: Hodgepodge Following the Glee Club Recording
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And now another entry in the David Hollister Tapes. If you don't know what these are about, I explained them in this post, and with today's post, I have now shared four of these tapes.
This one is dated 6/4/80 and 8/3/80, and as it says of the box, its contents are apparently the practicing of three songs "for <a> contest". The three songs are "One Woman Man" (not the ridiculous Paul Anka song, but an equally ridiculous obscurity), "Travelin' Light (heard in two versions, a shorter version early on the tape, and a version with a lengthy verse at the end of the recording - the later to the two sessions, making me think that the song was expanded on in the meantime), and "Marvelous Massage".
Personally, I find this material fairly awful - and "Marvelous Massage" to be award-winningly hideous - and I suspect that all three are someone's originals, whether Hollister or someone else. Having heard his other material, my guess is that these songs are the work of the vocalist, who is unidentified on the tape box. I will let the listener make his or her own judgments as to this vocalist's abilities.
Anyway, I have generally enjoyed the Hollister tapes, and although I didn't enjoy this one, I thought I'd share it as another example of their contents. Please let me know if you do or don't want me to continue to delve into this collection.
Download: From the David Hollister Tapes - Rehearsals of Three Songs, 6-4-80 and 8-3-80 - "For Contest"
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And now, here's our "Acetate of the Month". This is a ridiculous little record, featuring "The Band of America" conducted by Paul LaValle, playing "The Dwight D. Eisenhower March". Nothing actually too ridiculous about that - he was a war hero and certainly worthy of a march. But as you'll hear, the conceit here is that the man's initials were D-D-E, so the song is based, of course, on a musical phrase using those tones. Yay! Let's march!
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And finally, here's a "Very Short Reel". Here we have someone reading from a book - almost certainly a novel. I haven't done a lot of digging, but with what I did do, I was unable to find what book is being read. Perhaps someone out there knows, or can figure it out:
Download: Reading from an Unknown Book
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