Hello everyone!
Before I get to this weeks remarkable reel of tape, here is volume two of my series covering the evolution of tapes from the Minnesota Mining Company, aka Scotch Tapes.
Last time, I shared what has been confirmed to me as the first design they used, a very attractive and busy Scottish plaid theme that was in place from around 1948-1949.
Fairly quickly, they appear to have modified this box considerably. Perhaps someone in marketing decided it would be a good idea to have an image of the tape right on the box. The plaid theme is relegated to the background, and is well under a quarter of the box, the reel is the dominant part of the image, and in a new feature, there is a little box near the bottom telling you whether you've purchased the paper-backed tape which had initially been the only choice, or if you've bought the new, plastic-backed version (which would soon become the industry standard). This box appeared in perhaps 1949 or 1950, and was replaced by at least 1951, if not earlier. By the time the next design came along, paper-backed reels were a thing of the past.
Incidentally, the timing chart seen here as part of the reel, was indeed part of the reel, although it must have been easy to dislodge - I've only ever seen two or three of them. And finally, for seven inch reels, 1200 feet seems to have been the only choice at this point. As different (and thinner) plastics would be employed, going forward, this would eventually expand into a choice of 1200, 1800, 2400 and even 3600 feet on a single seven inch reel.
What a fascinating and fantastic time capsule I have for you today, all captured at 3 3/4 inches per second in glorious mono, on a single five inch reel of tape. Here's what the back of the box (a Scotch box, by the way) looks like:
Incidentally, in reference to my comments on tape length, above, by the tape this tape was bought (1956 at the latest), the industry had figured out how to use thinner plastics. This tape lasts an hour or so on each side, meaning it's an 1200 foot reel, the same length as on the seven inch reel pictured at the top. In 1951 or 1952, they probably would only have been able to fit 900 feet onto a five inch reel.
These are the things I think about. Don't pity me.
The tape is dated 1957, as you can see, and virtually all of the recordings do appear to come from that year. But the tape had also obviously been used previously, as the last thing on the tape - and the most wonderful of the four segments - is clearly something recorded in the fall of 1956, then partially erased by the material earlier on that side. And I sure wish that erasing hadn't taken place. But still the material that is here is mostly great, so let's dive right in.
The first segment of the tape is the one I find the least interesting, even though it contains a genre I usually love - the home recording, with family and friends. In this particular case, the 16 minute recording just isn't all that interesting, starting as it does with someone breathing into a microphone, and dominated as it is, later, by a woman reading a Mad Magazine article without much humor or character in her vocal delivery. The entire recording is essentially some folks from Massachusetts finishing up their yearly visit to the home of friends.
Play:
Next up, a reel treat for anyone who enjoys recordings of vintage variety TV. The remainder of side one, except for a tiny bit at the end, contains the broadcast of the Ed Sullivan show for March 3rd, 1957. I suspect that this was recorded first, then the opening section was by the vacation material, which seems to date from later that year, in summertime.
The show is billed as a tribute to My Fair Lady, on the first anniversary of its debut on Broadway, and there are several acts (and comments) related to that show, but there are other, unrelated acts as well, including a lengthy, sort of pathos-laden bit at the end by a comedian, as well as a lot of commercials, particularly those featuring a special offer/contest, which you'll hear about as the tape unspools on your listening device.
On the one hand, this is not an episode of "The Ed Sullivan Show" that I would have particularly enjoyed watching, compared to some of the episodes which have had segments excerpted on specials over the years, but on the other hand, it sure is a fascinating listen!
(the last two minutes or so are what's left of an even earlier-recorded business meeting of some sort. I'm not sorry that this recording was mostly erased.)
Play:
Side two begins with a split second of the same meeting, followed by someone starting to sing "Stardust", before quickly segueing into an episode of a show Mike Wallace hosted during this era, "Night Beat". Virtually the entire show is here - 51 minutes - missing only what Wallace indicates at the start were going to be some theatre reviews.
There are three segments here, first a news round up, then an interview with the former ambassador to Russia, George Kennan, and finally Garry Davis, proponent of one-world government. It's an interesting listen. For one moment, mid-show, the recordist stops the tape and picks up again a few feet forward on the tape, and we teasingly get to hear a few moments of a pivotal Brooklyn Dodgers baseball game. Ah, well.
One more thing; in four spots early in this segment, whoever was recording did <something> which resulted in lengthy and loud, high pitched whines. I have edited these out, leaving just a split second of the start of the whine. They will sound like edits, because they are. I am sparing your ears.
Play:
And finally, the pièce de résistance.
What we have here is a tantalizingly brief (eight minutes) recording of the Brooklyn Dodgers, at the start of their locker room celebration, just after beating the Pittsburgh Pirates, on September 30th, 1956, to win the National League Pennant on the last day of the season. What a great little hunk of tape.
Play:
